Elaine Lucia Sings
San Francisco Bay Area Vocalist and Singer/Songwriter
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Author Archive for elaine – Page 2

Singing With One of Those Darn (Cool!) Accordions

May02

Yesterday was a really fun day in the studio! I had decided that on one song in particular, an accordion would add a beautiful ambiance, a little bit of sparkle, to an already great arrangement that Gerry Grosz wrote for me. The song has a tango or rhumba feel to it, and I sing the last half of the song in Italian.

So, I hired Steve Albini, and really great accordion player (and an even greater singer!) to come in and add a little spumoni to the song…and it sounds so cool, I LOVE it!

Steve AlbiniIt was a very interesting process, as Steve has such a different (and lovely) sense of melody/harmony than I do. And working with another chordal instrument was challenge, since I’ve already got piano, guitar and vibes providing the harmonic/chordal structure underneath the songs. So – how to add accordion without making everything sound muddy?

Luckily, it was really easy, with Steve! We did several tracks, and I sang the parts that I wanted him to play. He did a great job, but it wasn’t quite what I was looking for.

I decided to open the bottle of Italian red wine he had brought to the session (my kinda guy!) and we took a little break, enjoying the excellent bouquet and flavor of the wine and talking about Music, Life, Kids, and I also reminisced about my days singing at the Sons of Italy in upstate New York, oh soooooo long ago!

Anyway, that was enjoyable, but time to get back to work! I told Steve: “Now – just ignore everything I’ve told you to play, and play as if you’re on stage, in front of your own band, performing this song. Do whatever you want!!

Well, that was the ticket! He had incorporated my suggestions, but went with his own feelings, and of course, as usual, that worked beautifully. He did a great job, and he’s such a sweetie, too.

I’ve always wanted to add accordion, and now I have. Very soon I’ll begin posting some song samples so you can hear it!

By: elaine
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Posted in: Elaine's Music, Other Musicians and Shows, The Recording Process, Uncategorized

Recording Studio Singing Techniques – Part I of Many to Come

Apr30

One of the things I really want to write about in this blog is studio techniques for singers. It’s just one aspect of the craft of being a good singer – that is, singing in tune while conveying the emotion or story of the lyrics.

When you’re singing live, on stage, the moment is fleeting – so if you’re not in tune, if it’s not the best performance, that moment disappears instantly as the song progresses. But when you’re in the studio, every tiny flaw is magnified a hundred times PLUS it’s recorded for all time and every person who hears the recording will wince in pain when they hear your bad note! Well, you’re a professional, and you won’t LET a bad note go out on your recording, will you? Nope you sure won’t. So you might as well prevent the “we’ll fix it in the mix” or “I’ll just punch in a better note with ProTools” sydrome. You are a singer. Not a technician. So get it right as you are singing it!

I’ll write more about HOW to get it right as you’re re recording, and not count on “fixing it in the mix,” as I continue my own projects.

By: elaine
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Posted in: Recording Techniques For Singers, The Recording Process

Singing In The Studio – It’s Not Like Singing In The Shower

Apr30

…or on stage!

One of the reasons I started this blog was to begin a dialog with other singers and musicians about our techniques in the recording studio, and on stage. Since I am in the middle of recording my third jazz CD, I thought I’d keep a log of issues as they come up, and maybe some singers out there will respond and add their wisdom and experiences, too.

You know how when you’re in the shower, and you start singing, and it sounds so GREAT because of the acoustics in the bathroom, and how it feels SO great and you’re all happy and stuff?? No?? Oh yes, you do, come on, admit it! Anyway, that’s one of the times that I am feeling really good about my singing and I don’t doubt my abilities or my musicianship or have any fears about what, or WHY, I continue putting myself out there as a singer.

Well, that great feeling in the shower SHOULD be how you feel when you’re in the studio, singing your heart out, for all the world to hear (you hope). Problem is, you’re not always feeling 100% when you’re in the studio. For whatever reason, you’re tired, you’re stressed, etc., you just can’t seem to make it click. And the harder you try, the worse it sounds, and the worse you feel.

I recently had an experience like that in the studio, and I was so frustrated that I felt I wasn’t singing well. What to do when every minute is costing you money?

I decided to hang in there, and record three more tracks, of the same song, and then force myself to walk away and listen to what I had just recorded, in a few days.

To my surprise, when I went back to listen to what I had done, I discovered a GREAT track, full of emotion, right on pitch, everything was there. I used that track as the final vocal, and i LOVE it!

So: sometimes you may lose your perspective on what you sound like, based on how you’re feeling. But, unlike singing in the shower, singing in the studio may not always sound so great to YOU, but it may sound great to the many others who will be listening to your project. You NEVER KNOW…you may be recording a GREAT track. BELIEVE in your abilities….you may sound better than YOU think you do!!!

So hang in there!!! Know when to keep going, but don’t force yourself. Know WHEN to GET OUT OF THE SHOWER if it’s just not working for ya!!!

By: elaine
Comments (1)
Posted in: The Recording Process

Rejection: Be Grateful For It!

Apr23

I learned a really important lesson today about rejection. Even though I’ve been singing professionally for over 30 years (yes, I was a child when I started!), it always feels kind of crappy to be rejected, even when you’re rejected in a nice, professional way by a nice, professional person.

I submitted one of the new tracks on my new CD to a veteran radio industry guy; another veteran publicity guy referred me to him, but did tell me: “He’s really picky, and very tough.” Totally ignoring that warning, I had contacted Mr. Radio months ago and he graciously accepted my previous CDs and said he’d listen to the new one. In an email exchange he said he’d like to hear an mp3 of one of the new tracks. I sent it, warning him ahead of time that it was a ‘rough mix’ (but still, it does sound pretty amazing – Jamie’s ‘rough’ mixes are always better than most ‘final’ mixes of other engineers I’ve heard), but that the vocal was a final. In fact, the vocal was a reference vocal, and was recorded ‘live,’ in studio, and has no edits or punch-ins. Basically, he asked me to send the mp3 knowing it was a rough mix, as he just wanted to hear what I was up to with the new project.

I didn’t hear back from him right away, which made me feel queasy. I’m used to instant feedback, since I’m chained to my computer all day long, working via email, and I expect the rest of the world to respond instantly.

Eight hours later, his email said: “I don’t think we’re a match…” and he went on to explain why.

I’m much too vain and insecure to reveal his reason for his rejection – that is, his specific musical comments. Of course, I didn’t agree with him, either, and my first thought was: “Well, obviously he hasn’t listened to my other CDs! If he had, he would never say this!”

Then, I started to…….cry. Yup. I cried. THEN I had a major panic attack: “OH. MY. GOD. I just took out a loan to record this project, and I have no business doing that because I SUCK and NO ONE will buy this CD no one will ever HEAR it and who the hell cares anyway if I’m a jazz singer for God’s sake I mean really when the world is going to hell and this war is unending and the polar icecaps are melting and my own daughter is growing up and going to leave me and I’ll be so sad and alone and I’m going to wind up a fat Italian lady singing for beer and tips down at Volpi’s on Wednesday nights cause who wants to hear an old drunken lady sing “Lush Life” on a weekend night when all the beautiful young people are out falling in love and looking into each other’s eyes listening to really cool hip singer/songwriters with their impossibly brilliant lyrics and voices and gorgeous looks and Mr. Radio doesn’t like me so no one else in radio will like me cause he’s been in the business for thirty years and…………………………

Yeah, I know. Get over it!

So I called my friend who is a psychic. I didn’t tell her anything about what happened, just that she had really inspired me before, and I was in need of a little boost.

The first thing she said was: “You are being a Perfectionist, and it’s stopping you. Let go, etc. etc. etc…..”

I wound up telling her about Mr. Radio.

She said: “What a fantastic gift he gave you. He gave you an opportunity to make changes, if you want to, before the project is completed. If he had told you this after the CD was done and pressed and out the door, you would REALLY be bummed. See if anything he said makes any sense to you, and if so, be grateful for what he gave you. He could have just said ‘get lost, kid’ but instead, he was really nice, and just being helpful. Too bad if it’s not what you wanted to hear. It may be what you needed to hear.”

Lesson learned. Got it. GREAT. And now I feel so much better. I’m going into the studio tomorrow to make a few changes that I had already had in the back of my mind, but almost let slide. I’m glad he woke me up and I not only listened to him, I listened to myself.

Mr. Radio, if you ever read this blog, you’ll know who you are. So: thank you for rejecting me!!! You are the COOLEST.

By: elaine
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Posted in: Elaine's Music, The Recording Process

Bobby McFerrin is a genius.

Apr18

I went to the Bobby McFerrin, Chick Corea, Jack DeJohnette concert last night at the Masonic Center in San Francisco. And even though I’m a long time Bobby fanatic, I was just blown away again by his performance, and by the synchronicity between these three consumate artists.

It was a wonderful evening of music.

Orrin Keepnews introduced Bobby, Chick Corea, and Jack DeJohnette by describing to the audience the conversation he had just had with the trio back stage. The guys apparently told Mr. Keepnews, when asked what their set was going to be, that they had no idea what they were going to play, nor did they really need to know. They would just get up there and do it.

And that is in fact what they did – and it was Jazz in the purest, most free and exhilarating form. As a singer, it is especially gratifying to see that it was a VOCALIST who led the way for the improvisational paths the three musicians took together. An aside here: Bobby McFerrin elevates all Jazz singers by demonstrating his impeccable musical chops in terms of melodic improvisation over an implied harmonic structure. What I mean is, even with the incredible Chic Corea on piano, Bobby is way ahead of everyone (the audience and his fellow musicians) conceptually, harmonically, melodically; Chick and Jack would follow and give back, tossing the ball back and forth and underhanded and then they were all three off to the races. It was exhilarating!  Instrumentalists who really don’t consider Vocalists as Musicians really need to take a lesson from Bobby McFerrin. The guy is amazingly inventive.

ANYWAY, I don’t have the words, nor the desire, to write a review. So, I’m just going to list as many of the images, dreams and scenarios that came into my mind last night during the non-stop set (it was about 80 minutes long):

the call to prayer at a Tibetan monastery
monks marching up stairs to the temple
thousands of bird wings fluttering,
tree leaves rustling in the wind
rain…droplets falling in the rain-forest…then, a downpour
monkeys chattering, exotic birds clicking dancing pattering over the wet ground
a snake slithering
an intake of breath, surprise, again and again
tribal drums, a call to the village to gather round
keening crying prayer; joyful hopeful prayer
a young rapper showing off and looking silly
joined by an equally silly looking and sounding friend
a group of young rappers arguing in the street
two old Jews talking at each other, then yelling at each other, gesturing….then coming to an understanding
the blond lead “singer’ with the group, “Up With People” channeling Pat Sajack
a galaxy, the Milky Way, we float on by the stars in the deep of night
a television screen, static, black and white images fly by
a multitude of voices and chatter as we switch from channel to channel
clouds, wind, shadows on the hillside

Throughout the dreamlike set, Chick Corea and Jack DeJohnetter were amazing in their support and then expansion upon Bobby’s set-up vocal lines. The interplay between the three of them fed the initial theme introduced by Bobby, transforming it, turning it over and over, inverting it, tossing it around and to each other…to build a ‘song’ with an intro, a build-up, a climax, an outro. So beautiful to hear the structure while enjoying the images and feelings of the notes and chords and beats…

There was so much more! But the images are gone now. I’m left with the feeling of wonder at Bobby McFerrin’s amazing ability to evoke so many images and feelings with just his voice…no lyrics, nothing defined for the listener. Like the greatest paintings, touching on a universal truth without any apparent effort at all.

Like I said: Bobby McFerrin is a genius!

By: elaine
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Posted in: Other Musicians and Shows
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